between the two studios was not in their contrasting styles of animation, as some have suggested; it was the story. As Jeffrey Katzenberg, co-founder of DreamWorks and head of Disney animation during its golden days, confessed about those still using 2-D, “We haven’t done a very good job of picking stories and we’ve told the stories in ways we’ve used before. It’s not the technique that is flawed.”2 We need to go back to the late eighties and early nineties to find at Disney’s in-house studio those